Oh You ve Got to Fall in Love Again

1964 single by The Righteous Brothers

"You've Lost That Lovin' Feelin'"
Side A of the US single
Single by The Righteous Brothers
from the album Yous've Lost That Lovin' Feelin'
B-side	"There'south a Woman"
Released	Nov 1964
Recorded	Oct 1964[i]
Studio	Gold Star, Hollywood
Genre	Pop R&B blueish-eyed soul
Length	3:45
Label	Philles
Songwriter(s)	Phil Spector Barry Mann Cynthia Weil
Producer(s)	Phil Spector
The Righteous Brothers singles chronology
"My Baby" (1963) "Yous've Lost That Lovin' Feelin'" (1964) "Bring Your Honey to Me" (1965)

"Y'all've Lost That Lovin' Feelin'" is a song by Phil Spector, Barry Isle of mann and Cynthia Weil, first recorded in 1964 past the American song duo the Righteous Brothers, whose version was as well produced by Spector and is cited by some music critics as the ultimate expression and illustration of his Wall of Audio recording technique.^[ii] The record was a critical and commercial success on its release, reaching number ane in early February 1965 in both the United States and the United Kingdom. The unmarried ranked No. 5 in Billboard's twelvemonth-end Top 100 of 1965 Hot 100 hits – based on combined airplay and sales, and not including 3 charted weeks in December 1964 – and has entered the United kingdom Meridian Ten on an unprecedented three occasions.^[three]

"Yous've Lost That Lovin' Feelin'" has been covered successfully by numerous artists. In 1965, Cilla Blackness's recording reached No. 2 in the UK Singles Nautical chart. Dionne Warwick took her version to No. 16 on the Billboard Hot 100 nautical chart in 1969. A 1971 duet version past singers Roberta Flack and Donny Hathaway peaked at No. 30 on the Billboard R&B singles nautical chart. Long John Baldry charted at No. 2 in Australia with his 1979 remake and a 1980 version by Hall and Oates reached No. 12 on the United states Hot 100.

Various music writers have described the Righteous Brothers version as "ane of the best records ever made" and "the ultimate pop record".^[1] In 1999 the performing-rights organization Broadcast Music, Inc. (BMI) ranked the song every bit the most-played song on American radio and television set in the 20th century, having accumulated more than eight 1000000 airplays by 1999,^[4] and almost 15 one thousand thousand by 2011.^[5] It held the stardom of being the most-played song for 22 years until 2019, when information technology was overtaken by "Every Jiff Yous Take".^[6] In 2001 the song was chosen every bit one of the Songs of the Century past RIAA, and in 2003 the track ranked No. 34 on the listing of the 500 Greatest Songs of All Time by Rolling Rock. In 2015 the single was inducted into the National Recording Registry by the Library of Congress for being "culturally, historically, or aesthetically significant".^[vii]

Groundwork and composition [edit]

In 1964, music producer Phil Spector conducted the band at a show in San Francisco where the Righteous Brothers was as well appearing, and he was impressed plenty with the duo to want them to record for his own label, Philles Records.^[viii] All the songs previously produced by Spector for Philles Records featured African-American singers, and the Righteous Brothers would be his first white song human activity. Withal, they had a song manner, termed blue-eyed soul, that suited Spector.^[9]

Spector commissioned Barry Mann and Cynthia Weil to write a song for them, bringing them over from New York to Los Angeles to stay at the Chateau Marmont and so they could write the song.^[1] Taking a cue from "Baby I Need Your Loving" by The Four Tops, which was then ascension in the charts, Isle of man and Weil decided to write a ballad.^[10] Mann wrote the melody first, and came up with the opening line, "You never shut your eyes anymore when I buss your lips", influenced by a line from the vocal "I Love How You Love Me" that was co-written by Mann and produced by Spector – "I dearest how your eyes shut whenever you osculation me".^{[11] [12]} Isle of man and Weil wrote the first ii verses quickly, including the chorus line "y'all've lost that lovin' feelin'". When Spector joined in with the writing, he added "gone, gone, gone, whoa, whoa, whoa" to the end of the chorus, which Weil disliked.^{[12] [13]} The line "you've lost that lovin' feelin'" was originally just intended to be a dummy line that would be replaced later, but Spector liked it and decided to go along it.^[1] The form of the song is of verse-chorus-poesy-chorus-span-chorus or ABABCB course.^[14] Mann and Weil had issues writing the span and the ending, and asked Spector for help. Spector experimented on the piano with a "Hang On Sloopy" riff that they then congenital on for the bridge.^[12]

Weil recalled that, "after Phil, Barry and I finished [writing it], we took it over to the Righteous Brothers. Bill Medley, who has the low voice, seemed to like the song."^[xv] However, Medley initially felt that the song did non suit their more uptempo rhythm and blues way, and Mann and Spector had sung the song in a college central: "And we just idea, 'Wow, what a good song for The Everly Brothers.' But it didn't seem right for the states."^{[16] [17]} The song, which has a very big range, was originally written in the college key of F. But to accommodate Medley's baritone voice, the key was gradually lowered to C ♯ in the recording,^[eighteen] which, together with slowing the song downward, changed the "whole vibe of the song", according to Medley.^{[17] [19]}

Bobby Hatfield reportedly expressed his badgerer to Spector when he learned that Medley would start the first verse alone and that he had to wait until the chorus before joining in. Prior to this, they would have been given equal prominence in a song. When Hatfield asked Spector but what he was supposed to do during Medley'due south solo, Spector replied, "You tin go directly to the bank!"^{[15] [20]}

The Righteous Brothers recording [edit]

The song was recorded at Studio A of Gold Star Studios in Los Angeles.^[21] When Hatfield and Medley went to record the vocals a few weeks after the vocal was written, all the instrumental tracks had already been recorded and overdubbed.^[12] They recorded the vocal many times – Medley sang the opening verse over and over again until Spector was satisfied, and the procedure was then repeated with the side by side verse. The recording took over 39 takes and around eight hours over a period of two days.^{[1] [12]}

The vocal would go ane of the foremost examples of Spector'south "Wall of Sound" technique. It features the studio musicians the Wrecking Coiffure; playing on this recording were Don Randi on piano, Tommy Tedesco on guitar, Carol Kaye and Ray Pohlman on bass, and Steve Douglas on sax.^[22] They were besides joined by Barney Kessel on guitar and Earl Palmer on drums. Jack Nitzsche usually arranged the songs for Spector, simply he was absent, and the arrangement was done past Gene Page.^{[ix] [23]} As with his other songs, Spector started by cutting the instrumental track first, building up layers of sound to create the Wall of Sound effect. The recording was done mono so Spector could fix the audio exactly every bit he wanted it.^[21] According to sound engineer Larry Levine, they started recording four acoustic guitars; when that was gear up, they added the pianos, of which there were three; followed past iii basses; the horns (ii trumpets, two trombones, and three saxophones); then finally the drums.^[21] The vocals by Hatfield and Medley were and so recorded and the strings overdubbed.^[i] The background singers were mainly the song group The Blossoms, joined in the song's crescendo by a immature Cher.^[24] Reverb was practical in the recording, and more than was added on the atomic number 82 vocals during the mix.^[21] According to music writer Robert Palmer, the effect of the technique used was to create a sound that was "deliberately blurry, atmospheric, and of course huge; Wagnerian rock 'n' scroll with all the trimmings."^[1]

	The slow commencement of "You've Lost That Lovin' Feelin'" with the deep voice of Bill Medley has been described as "one of the most famous openings of any pop song in history",[1] but also misled some early listeners to call up that it had been played at the wrong speed
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The song started slowly in the recording, with Medley singing in a low baritone voice.^[17] Correct before the second verse started, Spector wanted the tempo to stay the same, simply the vanquish to be just a fiddling behind where they are supposed to country to requite the impression of the song slowing down.^[25] The recorded vocal was three ticks slower and a tone and a half lower than what Mann and Weil had written.^[12] When Isle of mann heard the finished record over the phone, he thought that it had been mistakenly played at 33 ane/3 instead of 45 rpm and told Spector, "Phil, you have information technology on the wrong speed!"^{[15] [xviii]}

Even with his involvement in the song, Medley had his doubts considering information technology was unusually long for a pop song at the time. In an interview with Rolling Stone mag, he recalled, "We had no idea if it would exist a striking. It was too dull, too long, and right in the middle of The Beatles and the British Invasion." The song ran for nigh iv minutes when released. This was as well long by contemporary AM radio standards; radio stations at that time rarely played songs longer than three minutes considering longer songs meant that fewer ads could be placed between song sets.^[22] Spector, nevertheless, refused to shorten it. Following a proposition by Larry Levine,^[21] Spector had "3:05" printed on the label, instead of the rails's actual running fourth dimension of three:45. He also added a false ending which fabricated the recording more dramatic, and also tricked radio DJs into thinking it was a shorter song.^{[15] [26]}

The production of the single cost Spector around $35,000, then a considerable corporeality.^{[27] [28]} Spector himself was securely concerned virtually the reception to a song that was unusual for its time, worrying that his vision would not be understood. He canvassed a few opinions – his publisher Don Kirshner suggested that the vocal should be re-titled "Bring Dorsum That Lovin' Feelin'", while New York DJ Murray the K idea that bass line in the middle department, similar to that of a slowed-downwardly "La Bamba", should be the beginning of the song. Spector took these as criticisms and later said: "I didn't sleep for a calendar week when that record came out. I was so sick, I got a spastic colon; I had an ulcer."^[29]

Reception [edit]

Andrew Oldham, who was then the manager of the Rolling Stones and a fan and friend of Spector, chanced upon Spector listening to a examination pressing of the song that had but been delivered. Oldham later wrote, "The room was filled with this amazing audio, I had no thought what it was, but it was the about incredible affair I'd ever heard."^[30] He added, "I'd never heard a recorded track so emotionally giving or empowering."^[31] Later, when Cilla Black recorded a rival version of the same song and information technology was racing upward the British charts ahead of The Righteous Brothers' version, Oldham was appalled, and took information technology upon himself to run a full-folio advertizing in Melody Maker:

This advert is not for commercial gain, it is taken as something that must be said almost the not bad new PHIL SPECTOR Tape, THE RIGHTEOUS BROTHERS singing "You lot'VE LOST THAT LOVIN' FEELING". Already in the American Top Ten, this is Spector's greatest production, the terminal word in Tomorrow'due south sound Today, exposing the overall mediocrity of the Music Industry.

Signed,

Andrew Oldham^[32]

In other ads, Oldham also coined a new term to depict the song, "Phil Spector'south Wall of Sound", which Spector after registered every bit a trademark.^[32]

Assessments by music writers were also highly positive. Nick Logan and Bob Woffinden idea that the vocal might be "the ultimate pop record ... hither [Spector's] genius for production truly bloomed to create a unmarried of epic proportion ..."^[1] Richard Williams, who wrote the 1972 biography of Phil Spector Out of His Caput, considered the song to be i of the best records ever made, while Charlie Gillett in his 1970 book The Sound of the City: The Rise of Rock and Coil wrote that "the ebb and menses of passion the record accomplished had no direct equivalent."^{[1] [33]} Mick Dark-brown, author of a biography of Spector, Tearing Downwards the Wall of Sound, considered the vocal to be "Spector'due south defining moment" and his "most Wagnerian production yet - a funeral march to departed love".^[29] The opening line was said to be "one of the most familiar opening passages in the history of pop",^[34] and Vanity Fair described the song equally "the about erotic duet between men on record".^[35] However, when it was first presented on the BBC idiot box panel show Juke Box Jury in January 1965 upon its release in the U.k., information technology was voted a miss by all four panelists, with i questioning if information technology was played at the correct speed.^[36]

In that location were initially reservations about the song from the radio manufacture; a common complaint was that it was too long, and others also questioned the speed of the vocal, and thought that the singer "keeps yelling".^[37] Some stations refused to play the song after checking its length, or after it had caused them to miss the news.^[26] The radio industry trade publication Gavin Report offered the opinion that "blueish-eyed soul has gone besides far".^[37] In Britain, Sam Costa, a DJ on the BBC Light Programme, said that The Righteous Brothers' record was a chant, calculation, "I wouldn't fifty-fifty play it in my toilet."^[38] All the same, despite the initial reservations, the vocal would become highly pop on radio.^[39]

Brian Wilson of the Beach Boys heard the song and rang Mann and Weil in Jan 1965 to say: "Your song is the greatest record always. I was ready to quit the music business, only this has inspired me to write once more."^[12] Wilson later referred to the Beach Boys' 1966 vocal "Good Vibrations" as his effort to surpass "Y'all've Lost That Lovin' Feelin'".^[twoscore] Over the subsequent decades, he recorded numerous unreleased renditions of "You've Lost That Lovin' Feelin'". One of them, recorded during the sessions for the 1977 album The Beach Boys Love Y'all, was released on the 2013 compilation Fabricated in California.^[41]

Spector himself later rated the song as the meridian of his achievement at Philles Records.^[42]

Commercial success [edit]

"Yous've Lost That Lovin' Feelin'" debuted on the American national chart on Dec 12, 1964. It topped the Billboard Hot 100 on February half dozen, 1965, and remained there for another week; its 16-week run on the Hot 100 was unusually lengthy at that fourth dimension. And it was the longest recording to top the nautical chart up to that time.^[43] In addition, the single crossed over to the R&B charts, peaking at No. 2.^[44] Billboard ranked the tape every bit the No. 5 single of 1965.^[45]

The single was released in the UK in January 1965, debuting at No. 35 in the nautical chart dated Jan 20, 1965. In its fourth week it reached number i, where it remained for ii weeks, replaced by the Kinks' "Tired of Waiting for You".^[46] It would become the merely single to e'er enter the United kingdom Superlative Ten 3 times, existence re-released in 1969 (No. 10), and once more in 1990 (No. three). The 1990 re-release was issued as a double A-sided single with "Ebb Tide" and was a follow-upwardly to the re-release of "Unchained Melody", which had hit number one as a event of being featured in the blockbuster film Ghost. "Yous've Lost That Lovin' Feelin'" too reached No. 42 later on a 1977 re-release and in 1988 reached No. 87.^[46]

In Ireland, "You lot've Lost That Lovin' Feelin'" charted twice, first in January 1965, when it peaked at No. ii,^[47] and again in December 1990, following its reissue as a double A-sided single with "Ebb Tide", when information technology climbed to No. 2 once again. The original Righteous Brothers recording remains the only version of the vocal to nautical chart in Republic of ireland.^[48] In the Netherlands "Y'all've Lost That Lovin' Feelin" reached No. 8 in March 1965, with three versions ranked together as one entry: those of the Righteous Brothers, Cilla Black (a UK No. 2) and Dutch singer Trea Dobbs (nl).^[49]

Accolades [edit]

In 1965, the Righteous Brothers recording of "Yous've Lost That Lovin' Feelin'" was nominated in the All-time Rock and Roll Recording category at the 7th Annual Grammy Awards.^[50] It was also awarded Best Pop Single To Date 1965 in the Billboard Disc Jockey Poll.^[51]

In 2001, this recording was ranked at No. 9 in the list of Songs of the Century released by the Recording Industry Clan of America and the National Endowment for the Arts.^[52] In 2004, the aforementioned recording was ranked at No. 34 by Rolling Stone magazine in their list of the 500 Greatest Songs of All Fourth dimension.^[53] In 2005, "You've Lost That Lovin' Feelin'" was awarded the Songwriters Hall of Fame's Towering Song Award presented to "the creators of an private vocal that has influenced the civilization in a unique way over many years".^[54]

In 2015, the National Recording Registry of the Library of Congress, which each yr selects from 130 years of sound recordings for special recognition and preservation, chose the Righteous Brothers rendition every bit one of the 25 recordings that have "cultural, creative and/or historical significance to American lodge and the nation's audio legacy".^{[7] [55]}

Chart performance [edit]

Weekly charts [edit]

Certifications [edit]

Cilla Blackness version [edit]

"You've Lost That Lovin' Feelin'"
One of side-A labels of United kingdom of great britain and northern ireland single
Single by Cilla Blackness
from the anthology Is It Love?
B-side	"Is It Honey"
Released	January 1965
Genre	Pop R&B blue-eyed soul
Length	three:09
Characterization	Parlophone
Songwriter(due south)	Phil Spector Barry Isle of man Cynthia Weil
Producer(due south)	George Martin
Cilla Blackness singles chronology
"It'southward for You lot" (1964) "You've Lost That Lovin' Feelin'" (1965) "I've Been Wrong Earlier" (1965)

Background [edit]

English vocaliser Cilla Black first became a recording star by roofing Dionne Warwick's newly released American hit "Anyone Who Had a Heart" for the UK market place, which gave her a number one vocal in both the Uk Singles Chart and the Irish Singles Chart in February 1964, out-performing Dionne Warwick'southward original version, which simply peaked at No. 42 in the UK. Black's producer George Martin repeated this strategy with the Righteous Brothers "Yous've Lost That Lovin' Feeling" that had just been released in the Us. Black'south version is shorter with an abbreviated bridge, which she explained past saying: "I don't want people to go bored".^[69] The abbreviation also removed the necessity of Black'southward attempting to match the Righteous Brothers' climactic vocal trade-off.

Nautical chart rivalry [edit]

Both Cilla Black's and the Righteous Brothers versions of the vocal debuted on the United kingdom of great britain and northern ireland chart in the same week in January 1965, with Black debuting higher at No. 28.^[70] According to Tony Hall of Decca Records who was responsible for promoting the Righteous Brothers tape in the UK, Black's version was preferred by BBC radio where i of its DJs disparaged the Righteous Brothers' version every bit a "dirge" and refused to play it. Hall therefore requested that Spector ship the Righteous Brothers over to United kingdom of great britain and northern ireland to promote the song and so information technology might accept a chance on the chart.^{[38] [42]}

The following week Black remained in ascendancy at No. 12 with the Righteous Brothers at No. xx. The Righteous Brothers came over to United kingdom of great britain and northern ireland, spent a week promoting the song and performed for television shows in Manchester and Birmingham.^[38] At the same fourth dimension, Andrew Oldham placed a full-folio ad on Tune Maker promoting the Righteous Brothers version at his own initiative and expense, and urged the readers to spotter the Righteous Brothers appearance on the ITV television evidence Gear up Steady Get! ^[42] In its third week on the Feb 3, 1965 nautical chart, Blackness jumped to No. two, while the Righteous Brothers fabricated an even larger jump to No. iii. Hall recalled meeting at a party Brian Epstein, the manager of Black, who said that Black'southward version would be number one and told Hall, "You haven't a promise in hell."^[42]

However, in its fourth week, Black'due south version began its descent, dropping to No. 5, while the Righteous Brothers climbed to number i.^[seventy] Cilla Blackness then reportedly cabled her congratulations to the Righteous Brothers on their reaching number one.^[42] Black'due south version of "You've Lost That Lovin' Feelin'" would prove to be her highest charting Uk single apart from her two number ones: "Anyone Who Had a Middle" and "You lot're My Globe". While Black's version was released in Republic of ireland, it did not make the official Irish gaelic Singles Nautical chart as published by RTÉ, but it reached No. 5 on the unofficial Evening Herald charts.^{[ citation needed ]}

Black remade "You've Lost That Lovin' Feelin'" for her 1985 Surprisingly Cilla anthology.

Chart performance [edit]

Weekly charts [edit]

Chart (1965)	Peak position
Commonwealth of australia Go-Set [71]	15
UK Singles (OCC)[72]	ii
Holland (Muziek Expres) [73]	9

Year-cease charts [edit]

Chart (1965)	Rank
UK Singles Chartt[66]	77

Dionne Warwick version [edit]

"You've Lost That Lovin' Feeling"
Side A of US unmarried of Warwick'southward recording
Single by Dionne Warwick
from the anthology Soulful
B-side	"Window Wishing"
Released	September 1969
Genre	Soul Popular R&B
Length	3:02
Label	Scepter
Songwriter(s)	Phil Spector Barry Isle of man Cynthia Weil
Producer(s)	Chips Moman Dionne Warwick
Dionne Warwick singles chronology
"Odds and Ends" (1969) "You've Lost That Lovin' Feeling" (1969) "I'll Never Fall in Honey Once more" (1970)

Background [edit]

In 1969, American vocalizer Dionne Warwick recorded a cover version of "You've Lost That Lovin' Feeling" for her studio album Soulful. Her version was the only single released from the album and it was aimed to showcase Warwick every bit more of an R&B singer than was evidenced by her work with Burt Bacharach. Co-produced by Warwick and Chips Moman and recorded at American Sound Studios in Memphis, Tennessee, Soulful was one of Warwick's most successful albums peaking at No. 11 on the Billboard 200 album chart. The single "You've Lost That Lovin' Feeling" reached No. 16 on the Billboard Hot 100 chart, and charted at No. 13 on the Billboard R&B singles chart.^[74] In Commonwealth of australia the Go-Set Superlative 40 chart ranked Warwick's version of "You lot've Lost That Lovin' Feeling" with a No. 34 peak in January 1970.^[71] In Warwick's version of the song, she spells the terminal give-and-take of the title out fully as "feeling" rather than the usual "feelin'".

Chart performance [edit]

Weekly charts [edit]

Nautical chart (1969–70)	Peak position
Australia Go-Set [71]	34
Canada Summit Singles (RPM)[75]	12
Canada Developed Gimmicky (RPM)[76]	10
US Billboard Hot 100[77]	sixteen
United states Adult Contemporary (Billboard)[78]	ten
The states Hot R&B/Hip-Hop Songs (Billboard)[79]	13
US Cash Box Top 100	14

Year-terminate charts [edit]

(1969)	Rank
United states Billboard Hot 100[80] *	132

(* - unofficial stratified ranking)

Roberta Flack and Donny Hathaway version [edit]

"Y'all've Lost That Lovin' Feelin'"
Single by Roberta Flack and Donny Hathaway
from the album Roberta Flack & Donny Hathaway
B-side	"Exist Real Black for Me"
Released	September 25, 1971
Genre	R&B Soul
Length	3:52
Label	Atlantic
Songwriter(s)	Phil Spector Barry Mann Cynthia Weil
Producer(s)	Joel Dorn
Roberta Flack and Donny Hathaway singles chronology
"You've Got a Friend" (1971) "Y'all've Lost That Lovin' Feelin'" (1971) "Where Is the Love" (1972)

Groundwork [edit]

In 1971, American singers Roberta Flack and Donny Hathaway recorded a cover version of "You've Lost That Lovin' Feelin'". Their version of the song was produced by Joel Dorn and was included on their 1972 cocky-titled duet album Roberta Flack & Donny Hathaway, issued on the Atlantic Records label. Their version of the vocal was released equally the second single from the album after the Top thirty version of "Y'all've Got a Friend". The Flack/Hathaway take on "Y'all've Lost That Lovin' Feelin'" reached No. thirty on the Billboard R&B singles chart and charted at No. 71 on the Billboard Hot 100 pop chart. It also reached No. 57 in the Cash Box Top 100 Singles and peaked at No. 53 on the Record Globe 100 Popular Chart.^[81]

Nautical chart performance [edit]

Weekly charts [edit]

Chart (1971)	Peak position
US Billboard Hot 100[82]	71
The states Hot R&B/Hip-Hop Songs (Billboard)[83]	30
US Cashbox Top 100[84]	57

Yr-cease charts [edit]

Year-end chart (1971)	Rank
U.s.a. Billboard Hot 100[85]	422

Long John Baldry version [edit]

"You've Lost That Lovin' Feelin'"
Single by Long John Baldry & Kathi McDonald
from the album Baldry'southward Out
B-side	"Baldry's Out"
Released	1979
Genre	Stone
Length	5:00
Label	EMI Capitol
Songwriter(s)	Phil Spector Barry Mann Cynthia Weil
Producer(s)	Jimmy Horowitz
Long John Baldry & Kathi McDonald singles chronology
"Don't Attempt to Lay No Boogie Woogie on the King of Rock and Roll" (1979) "You've Lost That Lovin' Feelin'" (1979) "A Thrill's A Thrill" (1979)

Groundwork [edit]

In 1979, English blues vocaliser Long John Baldry recorded a cover version of "You've Lost That Loving Feeling'" every bit a duet with Kathi McDonald for his album Baldry'southward Out, the Jimmy Horowitz-produced disc which was Baldry'due south first recording in his newly adopted homeland of Canada.^[86] In this version, Kathi McDonald sang the latter half of the beginning poetry using the office from the second verse ("It makes me just experience similar crying ..."), inverting the usual order.

Released as a unmarried, Baldry's "You've Lost That Lovin' Feelin'" charted at No. 45 on the Canadian RPM singles chart, and spilled over into the The states Billboard Hot 100 chart at No. 89. The single as well reached No. 2 in Australia in 1980.^[87] Pecker Medley of the Righteous Brothers told Baldry that he liked their remake of the song better than his ain.^[88] Baldry had first recorded the song – as "You've Lost That Lovin' Feelin'" – for his 1966 album Looking at Long John. The Baldry/McDonald duet version of "You've Lost That Loving Feeling" also reached No. 37 in New Zealand.

Charts [edit]

Chart (1979–80)	Peak position
Australia (Kent Music Report)[87]	2
Canada Top Singles (RPM)[89]	45
New Zealand (Recorded Music NZ)[90]	37
Us Billboard Hot 100[91]	89

Hall & Oates version [edit]

"You've Lost That Lovin' Feelin'"
Australian single of Hall & Oates's recording
Unmarried by Hall & Oates
from the album Voices
B-side	"United State" (UK) "Diddy Doo Wop (I Hear the Voices)" (U.s., Canada and Frg)
Released	September 27, 1980
Recorded	Early 1980
Genre	Blueish-eyed soul soft rock
Length	4:37 (album version) 4:10 (single version)
Label	RCA
Songwriter(southward)	Phil Spector Barry Mann Cynthia Weil
Producer(s)	Daryl Hall & John Oates
Hall & Oates singles chronology
"How Does It Feel to Be Back" (1980) "You've Lost That Lovin' Feelin'" (1980) "Buss on My List" (1981)
Music video
"Y'all've Lost That Lovin' Feelin'" on YouTube
Culling release
New Zealand single

Groundwork [edit]

In 1980, the American musical duo Hall & Oates recorded a cover version of "Yous've Lost That Lovin' Feelin'" for their ninth studio album Voices. Their version of the song was produced by the duo and included a sparse organization contrasting with the lavish Righteous Brothers original version. It was the 2d non-original vocal Hall & Oates had always recorded. Co-ordinate to Oates, this was the terminal vocal recorded for the anthology, as information technology had been deemed complete with the other ten tracks. However, Hall and Oates felt that in that location was "something missing" from the album. Then they came across the Righteous Brothers' version of the song on a jukebox automobile while going out to get food and they decided to cover it. They went back to the studio, cutting it in a flow of iv hours, and placed on the album.^[92]

The track was issued on RCA Records as the album's second single subsequently the original "How Does Information technology Feel to Exist Back" peaked at No. 30 on the Billboard Hot 100. The November peak of No. 12 on the Hot 100 chart fabricated "Yous've Lost That Lovin' Feelin'" the first Hall & Oates single to ascend higher than No. 18 since the number one striking "Rich Daughter" in the spring of 1977.^{[93] [94]} "Y'all've Lost That Lovin' Feelin'" too reached No. 15 on the Billboard Developed Contemporary nautical chart, on the Radio & Records Airplay chart the vocal debuted at No. 30 on the September 26, 1980 issue, later vii weeks information technology reached and peaked at No. 4 staying at that place for one week, the song stayed on the tiptop 10 of the chart for half dozen weeks and remained on information technology for thirteen.^[95] It also reached No. 55 in the UK Singles Chart.

Chart performance [edit]

Weekly charts [edit]

Chart (1980–81)	Summit position
Canada Meridian Singles (RPM)[96]	96
Canada Adult Contemporary (RPM)[97]	10
UK Singles (OCC)[98]	55
United states of america Billboard Hot 100[99]	12
US Radio & Records CHR/Pop Airplay Chart[100]	4
US Adult Contemporary (Billboard)[101]	15

Yr-end charts [edit]

Nautical chart (1981)	Rank
Us Billboard Hot 100[102]	90

Other versions [edit]

• 1965 – Joan Baez with Phil Spector on pianoforte, at The Big T.N.T. Show ^[103]
• 1968 – Nancy Sinatra with Lee Hazlewood on the album Nancy & Lee.^[104]
• 1970 – Elvis Presley on the anthology That'south the Style It Is ^[105]
• 1975 – "You've Lost That Lovin' Feelin'" charted C&W at No. 41 for Barbara Fairchild in 1975.^[106]
• 1975 - The song was covered by Telly Savalas as a follow-up to his No. 1 single "If". Information technology reached No. 47 in the UK charts.^[107]
• 1979 - The Human League created a synth-popular version on their kickoff album Reproduction.^[108]
• 1986 – A remake of "Y'all've Lost That Lovin' Feelin'" past Grant & Forsyth (formerly of Guys 'n' Dolls) reached no. 48 in the Netherlands.^[109]
• 1988 – Carroll Baker took the song to No. 7 on the Country Singles chart in Canada.^[110]
• 1996 – Günther Neefs reached No. 31 on the Belgian charts (Flemish region) with his 1996 recording "You've Lost That Lovin' Feeling".^[111]
• 2002 – The song charted at No. 57 in Netherlands in 2002 for André Hazes & Johnny Logan.^[112]

Popularity [edit]

The vocal is highly popular on the radio; co-ordinate to the performing-rights organization Circulate Music, Inc. (BMI), it became the nigh-played song of all time on American radio in 1997 with over 7 million airplays (all versions), overtaking the Beatles' "Yesterday".^[39] At the cease of 1999, the song was ranked by the BMI as the virtually-played song of the 20th century, having been circulate more than 8 million times on American radio and television receiver,^[4] and it remains the most-played song, having accumulated almost xv meg airplays in the U.s.a. past 2011.^[5] The song likewise received 11 BMI Pop Awards by 1997, the most for any song,^[113] and has received 14 in total so far.^[114] In 2019, "Every Breath Yous Have" by The Police displaced it as the about played vocal on US radio.^{[half dozen]}

The popularity of the song also means that it is one of the highest grossing songs for its copyright holders. It was estimated by the BBC programme The Richest Songs in the Earth in 2012 to be the tertiary biggest earner of royalties of all songs, backside "White Christmas" and "Happy Birthday to You".^{[115] [116] [117]}

One reason for the song's resurgence during the mid-1980s was the vocal's inclusion in the iconic '80s movie Top Gun. After Bohemian (assisted by Goose) serenades his love interest with the tune, she returns the favor by selecting it on the jukebox at his old hangout to catch his attention and reunite. Equally the end credits begin to roll, the primary grapheme, Maverick, literally flies off into the sunset as the Righteous Brothers harmonic chorus continues in the background.

The vocal also made a meaning appearance in the Telly sitcom Thank you. Information technology was said to be the favorite song of main graphic symbol Rebecca Howe (Kirstie Alley) in the episode "Delight Mr. Postman" and was included in multiple episodes throughout the series.

The song has been adopted as a terrace chant by supporters of English football lodge Nottingham Forest. On 14 September 2013, Bill Medley visited Woods's City Footing to meet supporters before a match against Barnsley.^[118]

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